A Memoir of the Future

Today this begins:

‘Wilfred Bion will deliver a paper on the effects of our aggressive tendencies, dreams as resistance to overwhelming odds, and dreams as a source of the future.

‘Reports of Mr Bion’s death have in fact been premature. He has been alive and living well, very well, for the last few decades, contemplating a virus analogous to a computer virus which would infect oil (Dreams, he says, are the new oil). His preoccupation with intense darkness has led him to follow with trepidation the fate of the Labour Party, the popularity of Donald Trump and falling sales of the iPhone (the newsworthiness of which signifies, as much as anything else, a crashing lack of reverie).

‘Reverie. I shall pick up on this in the future as much as anything else.

‘Reverie. We don’t dream the same and when we do dream our dreams are not taken seriously. Even a dream book (my father’s was one of the few things he left to me) would do better than the National Curriculum, Internships and what I hear about best practice in psychotherapy. All of the institutions, people, places I look to to help dreams become thoughts, become actions, become something in the world … what are they? Distracted? Disinterested? I think about schools and I don’t even get the teacher from The Wall, more a hazy picture of rows of women and men standing in front of children with an iPhone in their hand. Distracted. Texting without realising they are in the middle of children’s dreams and their job is to help carry dreams forward.

‘Teachers, bosses, psychotherapists need to be Dream Positive. There is an aggressive attempt underway to take away the night, to have us never ending working, or unable to sleep in our anxiety, to stop dreams happening, and for anyone who dreams to be left on their own with their dreams … to ensure nobody is there to hold dreams together with reality, so it all goes mad.

‘Mr Bion will present his paper in the future.

‘Mr Bion reports that dreams are taken seriously as a serious threat to the future. He notes certain repetitions in this piece with interest (for example in seriously and serious in the previous sentence) and wonders what that’s about).

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